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Schultz
Music Publications
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Schultz Instrumental/Vocal LibraryClick the title of a work listed
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"Autumn Squalls for Solo Flute"
Autumn Squalls was commissioned by flutist Edward Schultz for his performance at a series of concerts presented by Network for New Music to celebrate the collaboration of music and poetry. The premiere performance was given at the World Café Live in Philadelphia on November 6, 2011. The work is inspired by the poem, Autumn Squalls, written by Barbara Burwell, well-known poet, author, and mother of Robert and Edward Schultz. Burwell's poem describes her delightful experience driving through the Pennsylvania countryside one night while being engulfed by wind-blown, swirling masses of leaves. The flute solo is built in five connected sections that are based on the primary themes and corresponding stanzas of the poem. In Broad Street Review Tom Purdom writes, "Her son's music captures the images of the poem right up to a final scattering of notes to match the scattering of leaves in front of the car's windshield." Chuck Holdeman writes, "The Schultz brothers created a work which remained fascinating, just one flute managing to grip the listener's attention with a flow of drama and arresting sound."
"Crystalline Miniatures for Flute - Solos and Duets"
First published in 1981 by Columbia Pictures Publications / Belwin Mills, this critically acclaimed edition was re-issued by ALRY Publications in April, 2001. The pieces are written to be technically accessible to late intermediate students; however, the expressive and atmospheric nature of the pieces is intended to interest mature artists as well. Complete Contents:
Review from NACWPI Journal, Spring, 2004 "The composer, Robert Schultz, has a wonderful reputation as an arranger, transcriber, and composer. [These duets] provide a unique vehicle for ensemble preparation including close observation to tonal colors, tempi, dynamics, and programmatic intent. I recommend this work highly and urge its performance."...Andrea Kapell Loewy, University of Louisiana at Lafayette Review from Flute Talk, September, 1987: "Reviewer’s Choice" "Here is a collection of six unaccompanied solos and five duets, with one solo that can be combined with a duet as a third or solo part. These short recital pieces are contemporary but not avant-garde. They feature mixed and odd meters, dynamic contrasts, trills, and in one instance, flutter tonguing, and use almost the entire flute range (C#1-C4). The pieces flow logically with a sometimes lyrical, sometimes evocative style. The music is beautifully laid out in traditional notation with no awkward page turns. There is an informative preface, and a glossary defines all the music terms used. My advanced intermediate students had a ball sight reading the duets. What a welcome addition to the literature for this level."...Marlee Lindon
"Fantasy for Violin and Piano, Op. 34"
Completed in 2002, Fantasy for Violin and Piano received its premiere performance in Miami, Florida on February 8, 2003 by violinist Scott Flavin and pianist Tina Faigen. The one-movement work is composed in a circular form--new material emerges in contrasting sections until the conclusion, a variation of the opening section of the work. The instruments are equal partners throughout the work. The writing is distinctly in Schultz’s original style, featuring a broad palette of color and expressive melodic material in treatments that range from the delicate mingling of two melodies to the powerful and dramatic use of the full resources of the combined instruments.
"Legend for String Orchestra, Op. 35"
Orchestra: Vln.1, Vln.2, Vla., Vc., Cb. (stand parts: 4/4/4/4/2) *additional parts: $2.00/part - specify on order form Commissioned by the Young Artists Chamber Orchestra, Legend for String Orchestra was composed during the spring of 2002 and received its premiere performance on March 9, 2003 in Coral Springs, Florida. As suggested by the title, the one-movement work unfolds in a story-like form. The opening theme presents a primary melodic motive that is woven into the fabric of the entire work. Imaginary scenes are evoked as the clearly defined sections of the work appear. The writing is striking, instantly appealing, and includes a wide range of color, expression and contrast, rooted in standard notation. A solo violin part is featured in several expressive solos, one of which concludes the work. Whether powerfully dramatic or quiet and reflective, an expressive melody always emerges to carry on the telling of the legend. "Legend for String Quintet, Op. 35a"
This adaptation of Schultz’s well-known work for
string orchestra was created during 2009 and performed for the first time on
March 14, 2010 at a concert of Robert Schultz works presented in Pittsburgh.
Capturing all of the beauty and drama of the original, this version retools the
work to speak with clarity and precision in the hands of a string quintet. Legend
for String Quintet provides a wonderful opportunity to include an exciting contemporary work on
chamber music programs by adding a contra-bass to the standard string quartet.
"Moving On for Soprano, Clarinet (or Viola) and Piano"
This beautiful setting of Barbara Burwell’s poignant poem is a superb addition to the repertoire for soprano, clarinet and piano. The poem speaks to everyone of the powerful emotions involved in leaving a loved and cared for home as one moves on to the next of life’s chapters. Schultz’s setting captures this wide range of emotions--beginning with the viewing of a last sunset in the home and the resulting flood of memories before accepting the challenge to move on. The work is also scored for soprano, viola and piano, and is equally successful with this ensemble. Schultz weaves the beautiful melodic elements of the soprano lines with those of the solo instrument, supported by a rich, colorful texture in the piano writing. The 7 minute work is a wonderful addition to any vocal recital and a compliment to the existing literature for soprano, clarinet and piano.
"Oh Blessed Light" (SATB)
*Shipping Calculation: 10 scores = 1 item Completed in 2010, Oh Blessed Light was commissioned by the University of
Pittsburgh’s Heinz Chapel Choir, directed by John Goldsmith, to be sung during
the annual ceremony for the lighting of the magnificent stained glass windows in
Heinz Chapel during the Advent Season. The work is scored for a cappella,
SATB, set to Barbara Burwell’s poignant lyrics, and provides a moving musical
companion to the lighting of candles, or similar ceremony, during the Advent
Season. As written, the performance time is approximately three minutes, but a
built in repeat allows the work to be extended to match the duration of a
ceremony. The work begins quietly and starkly, growing in warmth and intensity
throughout, to reflect the contrast between the cold and dark of winter and the
joy and hope conveyed by light.
"7 Sketches for String Orchestra, Op. 31"
Orchestra: Vln.1, Vln.2, Vla., Vc., Cb. (stand parts: 4/4/4/4/2) *additional parts $2.00/part - specify on order form
Composed in Schultz’s colorful, contemporary style, these concert miniatures include scenes, character portraits and atmospheric settings ranging from the serenity of the opening Meditation to the excitement and drama of The Sorcerer. A superb addition to the contemporary string orchestra repertoire, 7 Sketches will compliment the recital program of any professional string ensemble, or talented youth string orchestra.
"Song Vision for Soprano or Tenor and Orchestra, Op. 9"
Orchestra: *additional parts: $2.00/part - specify on order form
This dramatic, powerful setting of Barbara Burwell's poem is a superb addition to any symphony program. Scored for full orchestra with solo voice, either soprano or tenor, this 12 minute work provides a unique opportunity to include an exciting new work with a featured soloist. Schultz's colorful, contemporary writing features a rich harmonic palette and extensive melodic material within the orchestra, developed from the solo vocal part, and woven throughout the work. Individual instruments are featured in expressive solo interludes that emerge between the stanzas of the poem. The work builds to a powerful climax and concludes with a section of melodic fragments, reprised from the vocal solo, that emerge from the diminishing orchestral texture.
"They Sheltered In A Stable: Christmas Carol"Anthem version for SATB and Piano
*Shipping Calculation: 10 scores = 1 item a cappella version for SATB
*Shipping Calculation: 10-50 scores = 1 item Anthem version: This wonderful addition to the Christmas anthem literature is written for the standard church choir, high school choir or professional choir. Schultz’s SATB setting of Barbara Burwell’s poignant four-verse text is both colorful and moving, supported throughout by a rewarding, full-fledged piano accompaniment that also provides the work’s introduction and interludes between verses. The writing throughout falls within the standard comfortable range for all voices, ensuring secure performances with minimal rehearsal requirements. Sure to become a standard, this new Christmas anthem is a welcome addition to any seasonal music program--sacred or secular, professional or amateur. a cappella version: The SATB a cappella version of They Sheltered In A Stable is written in standard Christmas Carol form, anchored by a stirring refrain that follows each verse. While suitable for all of the same choral ensembles as the anthem version, this unaccompanied carol version is also wonderfully appropriate for carol groups and congregational singing.
"Three Serenades for Viola and Piano, Op. 29"
Completed in 1999, Three Serenades for Viola and Piano received its premiere performance in Pittsburgh, Pennsylvania on October 7, 2000 by violist Eugene Phillips and pianist Tina Faigen. Following is an excerpt from the program notes written for the premiere: Like the traditional "serenade," song-like melody is the dominant feature and the common thread that runs throughout the three pieces. In this regard, the instruments are featured equally. Unlike the traditional "serenade," these works are dramatic melodic excursions, often incorporating complex harmonic textures and rhythmic schemes. While there are no programmatic aspects to the pieces, each emerges in a circular form, moving through contrasting sections and concluding with a variation of the opening material. Serenading each other, the viola and piano take turns with the principal melodic material as the sections unfold. Each serenade begins with a solo introduction that includes the primary elements of the composition.
"Tsûr Mehorá for Flute and Piano, Op. 7"
Titled after the companion short story commissioned by the composer, this lyrical and dramatic, one-movement work unfolds in three contrasting segments. The story depicts the occasion of the appearance of Tsûr Mehorá, an elfin master of the dance, and the presentation of three pairs of dancers at a moonlit ceremony. The writing features both instruments in equal and active roles, drawing from their full range of technical and expressive resources. Completed in 1978, the work was premiered in Philadelphia, Pennsylvania in May, 1979 by flutist Edward Schultz, to whom the work is dedicated, and pianist Robert Schultz. Now available in a beautifully engraved Finale edition.
"Woodwind Quintet, Op. 14"
Scored for standard woodwind quintet, this 3-movement work was completed in 1981 and premiered by The Olde City Wind Quintet in Philadelphia, Pennsylvania in December, 1983. The writing is contemporary, harmonically complex and challenging, while featuring each of the instruments equally. The outer movements are primarily bold and powerful, regularly utilizing full-voiced ensemble within driving rhythmic structures. The tranquil second movement features expressive, lyrical writing that unites the instruments in a variety of combinations.
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Author: Robert
Schultz
Author: Robert Schultz
Author:
Robert Schultz
Author:
Robert Schultz
Author:
Robert Schultz
Music:
Robert Schultz, Text: Barbara Burwell
Author:
Robert Schultz, lyrics by Barbara Burwell
Author:
Robert Schultz
Music:
Robert Schultz, Text: Barbara Burwell
Piano
/ Vocal
Edition
Music:
Robert Schultz,
Music:
Robert Schultz,
Author: Robert Schultz
Author: Robert Schultz
Author: Robert Schultz